Showing posts with label Leokane Pryor. Show all posts
Showing posts with label Leokane Pryor. Show all posts

Tuesday, October 13, 2009

Leokane Pryor's Maunahele CD Re-released

The Honolulu Advertiser's Wayne Harada writes, "He's blessed with a gorgeous falsetto that soars where rainbows arch the skies..." A limited release in 2001 created quite a stir in the Hawaiian music world. The Mountain Apple Company is proud to re-release Maunahele and share the talents of this exciting newcomer with fans new and old. If you didn't get your copy of the CD at the 2009 Aloha Falsetto Festival in Redondo Beach, be sure to order one HERE

It was such a pleasure having Leokane at the last Aloha Falsetto Festival - what a warm and pleasant person to have around, not to mention, a GREAT entertainer! Definitely one of the highlights of the show, it makes me proud to have him as a friend. Do yourself a favor and check out his music today!

Monday, August 3, 2009

2009 Aloha Falsetto Festival on the Hawaiian Concert Guide


If you haven't listened to the Hawaiian Concert Guide podcast yet, you've been missing out on some great Hawaiian music and artist interviews! Take a listen to this past episode where HCG host Piko catches some of the performers at the 2009 Aloha Falsetto Festival like Bryan Tolentino, Richard Ho'opi'i and Leokane Pryor and also gets a few bootleg recordings from inside the auditorium with his iPhone (which sounded great!)

Piko created the podcast with the main purpose of getting the word out about Hawaiian entertainers performing off-island and around the world while at the same time getting their music out there for new listeners to discover. He likes to play an artist's whole CD a few tracks at a time from week to week. His co-host Puni is a wonderful companion to the show - a wealth of information on Hawaiian legends, hula personalities and island music, she adds a lot of depth to the show, for sure. 

Check it out! They record the podcast every Sunday evening starting at 8pm PST and you can tune in at that time and listen live. Watch a live video feed and join other listeners/viewers in the live chat room where you can even send in a request for a song!

Wednesday, July 29, 2009

Review of the 2009 Aloha Falsetto Festival by Andrea Ruse, Easy Reader

Lovers of Hawaii celebrated the Aloha Spirit last Saturday at the 2nd Annual Aloha Falsetto Festival, held at the Redondo Beach Performing Arts Center and featuring a headlining performance by falsetto legend Uncle Richard Ho’opi’i. An enthusiastic and heartfelt audience embraced the smooth, island sounds of Ho’opi’i and other top falsetto musicians Pomaika’i Keawe Lyman, Weldon Kekauoha, Kekaimoku Yoshikawa, and Leokane Pryor, straight from the Hawaiian Islands.

In both matinee and evening performances, the musicians shared their culture and love for Hawaii through falsetto, a style of singing where the voice is extended higher than its normal range. “This is the only festival of its kind, outside of Hawaii,” said Mitchell Chang, Producer/Musical & Creative Director of the festival. “These are all really big names from Hawaii and all world-class musicians.” Crooning out classics, like “Hawaiian Cowboy,” Ho’opi’i’, whose appearance at the festival was his first in Southern California, “put the audience at ease with his gracefulness and story-telling,” said guitarist Jeff Peterson. “He’s a phenomenal performer,” said Peterson of his experience playing with the living legend. “He’s so commanding when he performs, that it just becomes easy for everyone to follow.”

Another major highlight of the show was the first-ever solo performance by Pomaika’i Keawe Lyman, grandaughter of the late Aunty Genoa, also a legend of Hawaiian music and falsetto singing. Lyman performed many of her grandmother’s songs, including her signature number, “Alika,” during which Aunty Genoa was well-known for holding a single note seemingly forever “til you’d think she’d turn blue and pass out,” according to Peterson. In a comedic tribute, Lyman also held the famous note and just as it seemed about to end, her father and host of the show, Eric Keawe, appeared on stage and continued singing the note, while Lyman began chatting with the audience. “It was an honor to have Pomaika’i there,” said Chang. “It was great to see her carrying on traditions that have been passed down through generations.”

In a rather historic moment, Ho’opi’i and Pomaika’i performed together for the first time, singing songs like “Good night, Baby Good Night,” with Ho’opi’i on ukulele. Even Chang performed a few songs, accompanying veteran female falsetto singer, Aunty Geri, on the ukulele. Most musical performances were accompanied by traditional Hawaiian Hula dancing (not to be confused with the more commercialized Polynesian Hula), performed by the top three Hula dance troupes in California, according to Chang, one of which was from Kekaiulu Hula Studio in Torrance. At times, the flowing arm motions and languid hip movements of the Hula performers looked like ocean waves that flowed in exact accordance with the smooth falsetto sounds from behind. “Hula dancing is a way of transmitting history,” said Chang. “Each hand movement means something, like a lei or rain. It’s not just a pretty dance. It is a means of cultural conveyance.” “All of the artists got a “Hana Hou,” said Chang, “which literally translates to ‘Do it again’ in English.” After a particular moving piece performed by Yoshikawa’s, a single, inspired audience member was heard calling out “I love you.” Chang was pleased that the “energy and excitement between the performers and the audience was top-notch.” In addition to musical performances, the festival also featured an outdoor fair with Hawaiian food, vendors, arts, and crafts. “I wanted to do this because I want people to see that there is a real tradition and culture here that’s been going on for centuries,” said Chang. “And that the best Hawaiian music anywhere can be found right here in the South Bay.”

Do you have a review of the show you'd like to share? Post it here!